↑ 7.0 7.1 DiMartino, Michael Dante Konietzko, Bryan Yang, Gene Luen (writer), Sasaki of Gurihiru (penciling, inking), Kawano of Gurihiru (colorist), Heisler, Michael Comicraft (letterer).Encyclopedia now broken, archived at The Lost Lore of Avatar Aang - Location: Royal Gallery. ↑ From older Avatar: The Last Airbender official site, originally on.(author), DiMartino, Michael Dante (author). ↑ 3.0 3.1 3.2 3.3 3.4 3.5 Ehasz, Elizabeth Welch (writer) & Spaulding, Ethan (director).A sun and jasmine flowers appear behind him, and a dragon sits at his feet. The portrait depicts Iroh holding flames in his left hand and a cup of tea in his right. An image of Iroh as he would have appeared in the Royal Gallery if crowned Fire Lord was included in Avatar: The Last Airbender: Legacy of the Fire Nation.It also resembles the halos found in Christian art, which represent godliness, a common motif with the Fire Lord. The design of the sun behind each Fire Lord's head is similar to the Buddhist design often seen in Tang Dynasty and Indian paintings, with the sun meaning enlightenment and the surrounding flames representing wisdom.The wall-hanging scrolls mimic the style of Chinese Lizhou, scrolls commonly found in Chinese art.His portrait continued to be displayed in the Royal Gallery following his downfall at the end of the Hundred Year War. A large red-and-gold design is painted behind Ozai, and like all of the previous Fire Lords he is depicted with the sun behind his head. The final and most ornate portrait in the hall is that of Fire Lord Ozai, who is shown bending black fire and with multiple metal cogs and smokestacks behind him. It was presumably completed and added to the royal gallery after some time. Portrait of Fire Lord Zoryu įire Lord Zoryu sat for a portrait shortly after his purge of the Saowon clan in the Fire Nation Capital. Chaejin had paid off the royal painters to add this detail without either the Fire Lord or chancellor knowing. A camellia, representing his son Chaejin and the Saowon clan, overshadowed a peony, representing his son Zoryu and the Keohso clan. It was still only partially complete by 295 BG.īeneath him, there is a flower arrangement with two flowers sprouting from the same vase. Portrait of Fire Lord Chaeryu įire Lord Chaeryu's portrait depicts vegetation, such as bundled rice stalks and a harvest bounty. This portrait was destroyed by Yun during his attack on the palace. In the other hand, Szeto wielded a giant stamp, carved from solid cinnabar. The abacus was racked to a calculation that ended in an auspicious number. While many portraits of Fire Lords and Avatars held a ball of fire in one hand, Avatar Szeto hefted an abacus in his hand, with the beads set in real pearl. Known portraits Portrait of Avatar Szeto Īfter returning from exile, a distraught Ursa nervously walked the palace grounds before stopping to look at Ozai's portrait, reassuring herself by exclaiming that the former Fire Lord could no longer hurt her or her family. Azula found him there and made a snide comment to her brother, before helping him out by telling him the history of Sozin. When Prince Zuko received a message stating that he needed to learn the story of his great-grandfather's demise, he went to the Royal Gallery and stared at Sozin's portrait. įire Lord Ozai spent many long hours in the gallery when he was still a Prince, staring at the images of his forefathers, hoping they would provide him with some guidance. Sifu Atuat shortly arrived on the scene, where she healed those that she considered savable, while Kyoshi managed to treat some of the more minor wounds with her own waterbending. Yun managed to bend the mineral-based pigment in the portraits of the Fire Avatars, and launched spiked pellets at the others, killing Dairin and two of his men, and wounding many. He was confronted by Kyoshi and Chancellor Dairin, along with several of the latter's guardsmen. ĭuring Yun's attack on the palace, he killed Lu Beifong and dragged his body to the royal gallery. Dairin was aghast at the symbolism that had been added without his permission, and ordered Kyoshi not to speak to anybody about the portrait. Kyoshi subsequently moved to inspect Fire Lord Chaeryu's portrait, and queried Dairin about the flower imagery. Kyoshi's group paused by the portrait of Avatar Szeto, where the chancellor explained the life and accomplishments of the most recent Fire Avatar. There, she noticed that the portraits of the Fire Avatars were spaced further apart than those of the Fire Lords, resulting in roughly one Fire Avatar portrait for every four Fire Lord portraits. When Avatar Kyoshi first visited the palace, she was guided to the gallery by Chancellor Dairin.
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